One Mutual Sheaf

Following a recent episode of The Great Concavity, I was going to meditate upon some of the research that Lucas Thompson has offered in Global Wallace, which looks at the non-obvious influences upon David Foster Wallace, since there are clear connections with Evan Dara.  But, to expand upon a particular point regarding Dara’s stylistic choices, I returned to… Read More One Mutual Sheaf

Satirizing Modernism

Emmett Stinson’s new book, Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde, comes out in June, and appears to be the first major critical work to wrestle with Evan Dara’s The Easy Chain, along with Thomas Love Peacock’s Nightmare Abbey, Wyndham Lewis’s The Apes of God, William Gaddis’s The Recognitions, and Gilbert Sorrentino’s Imaginative Qualities of Actual… Read More Satirizing Modernism

Counterevidence

Earlier this year, I happened upon the audiobook of William Gaddis’s JR, a 37-hour tour de force narrated by Nick Sullivan which is essential listening for anyone seeking a deeper appreciation of this prescient radio tower of Babel.  While I don’t absorb enough audiobooks to provide a trustworthy opinion, it’s clear why this title is so highly… Read More Counterevidence

Against Readability?

Last week, Ben Roth published an essay on The Millions entitled “Against Readability,” which was provocative in a fairly predictable way.  But as he drew lines between the praiseworthy (e.g. Tom McCarthy’s Remainder) and the forgettable (Donna Tartt’s The Goldfinch), it pushed a button that prompted a version of this kneejerk comment: As someone who… Read More Against Readability?